A circular or elliptical body of water extends over a reticulated surface. The oblique projection creates a horizonless landscape, where spatial planes are configured ambiguously. The two-dimensionality takes on a material and tangible character when expressed in the ceramic form, suggesting tension between its representation and three-dimensionality.
As a service to our customers, we arrange the shipping of orders via one of our preferred carriers. Shipping cost will be calculated after confirmation of your delivery address. We will email you within 3 days with the quotation for your acceptance. You have the right to withdrawal from the purchase if delivery cost will not meet your expectations.
All charges are proforma and will be included on your order’s final balance.
Two options are available :
White glove service: our shipping partner will unload, unpack, check and install the product in the room of your choice.
Simple service: our shipping partner will unload the product and deliver it in front of the building. If you choose to manage your own freight and delivery, Studio Fenice must be notified of the specific details of the movement. The fee to move the product from a manufacturer to a terminal for “customer’s own” pick-up will be added to the balance due. The location of the pick-up by the client or the client’s agent may trigger sales tax responsibility at that location.
Ownership of the product transfers to the client upon the freight carrier taking possession of the order for transport. Therefore, responsibility for damage occurring in-transit is the owner’s and all claims for freight damage must be made within 72 hours of receipt. If customer selects their own freight carrier, freight claims must be filed directly with the selected carrier. Studio Fenice is not responsible for a customer’s own or third party freight damage and claim.
Dimensions
Width: 45 cm Width: 17.72 in
Heigth: 25 cm Heigth: 9.84 in
Origin
Mexico
Lead Time
2 Weeks
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Tear SheetThe designer
In order of appearance, as commonly happens, one first gets to know the work and then the artist. After meeting Hugo Robledo, my first impression was of a reflective temperament derived from a nature that listens. Visiting his studio, this initial impression clarified my aesthetic judgment based on two outstanding elements: the process and his work.
Regarding the first, the time and attention the artist devotes to preparing his projects are akin to the process of an alchemist who works with calculation and precision with his materials. On the other side, there is also the modeling and transmutation of elements. Hugo Robledo’s work reflects this image. On one hand, the artist meticulously prepares the necessary formulas for his works. On the other, he views the painting project as a field of possibility. For Hugo Robledo, “The painting itself already means something, but it can have several layers of interpretation.”
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